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Label: Impulse!
Catalog#: ASD-9300
Format, Bitrate: FLAC (LP-Rip)
Country: US
Genre: Jazz
Style: Free Jazz
Rating: 3.54

Recorded 9th & 10th September, 1974 at Generation Sound Studios, New York City

Musicians:
Dewey Redman – Tenor Saxophone, Clarinet, Zither
Ted Daniel – Trumpet
Leroy Jenkins – Violin
Sirone – Bass
Eddie Moore – Drums, Tympani, Cymbals, Bowed and Struck Idiophone

Tracks:
A1. Seeds And Deeds (4:51)
A2. Somnifacient (7:14)
A3. Meditation Submission Purification (8:12)
B1. Joie De Vivre (3:20)
B2. Funcitydues (3:15)
B3. Phadan-Sers (3:38)
B4. Qow (10:17)

Note:
Tracks A1, B1, B2, and B4 appeared as bonus tracks on the CD reissue of Redman’s classic recording Ear of the Behearer

Review:
On this album Dewey Redman is highlighted in a number of diverse groups, which makes it a captivating and a personal triumph to his musical talents. The majority of the tunes match Redman’s tenor with the superb bassist Sirone and drummer Eddie Moore. On a couple of the tracks, he plays the zither. In addition to his trio, trumpeter Ted Daniel and violinist Leroy Jenkins, come together for an extensive delivery of two complex originals. It is here on “Somnifacient” that Redman switches to clarinet. These alternate instruments are no match to the mastery of his tenor playing. “Qow” alone is an exceptional ten-minute workout. Overall this one is well worth a listen if you are driven in any way by freer forms of jazz.

Links:
Dewey Redman – Coincide (1974) Side A
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Dewey Redman – Coincide (1974) Side B
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Artist : Giya Kancheli
Title Of Album:  Diplipito
total time : 57:20
release date :  2004
Size : 192 MB

Tracklist:

1) Diplipito, For Violoncello, Countertenor & Orchestra 0:28:12
2) Valse Boston, For Piano & Strings 0:29:06

personnel:

Thomas Demenga – cello (track 1)
Derek Lee Ragin - vocal (countertenor) (track 1)
Stuttgarter Kammmerorchester
Dennis Russell Davies -( piano, conductor)

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Label: Baystate Records
Catalog#: RVC RVJ-6036
Released: 1979
Format: Vinyl, LP
Genre: Jazz
Style: Avant-Garde Jazz

Recorded 14th & 15th November, 1978 at Sound Ideas Studios, New York City

Musicians:
Marion Brown – Alto Saxophone
Kenny Barron – Piano
Cecil McBee – Bass
Philly Joe Jones – Drums

Tracks:
1. Sunshine Road {Marion Brown} (9:14)
2. Soul Eyes {Mal Waldron} (10:15)
3. Body And Soul {Heyman, Sour, Eyton & Green} (7:14)
4. Afrisa {Marion Brown} (5:18)
5. Goodbye Pork Pie Hat {Charles Mingus} (8:40)
6. Blue Monk {Thelonious Monk} (11:25)

Review:
This share is a belated tribute to the passing of a wonderful jazz musician and talented composer, Marion Brown. Here Brown assembles an amazing quartet of similarly gifted musicians of which none need any introduction. This album eluded US sales by being released in Japan. Although a CD was released later, it still remains hard to obtain. The music presented is a well performed mixture of Brown, Waldron, Heyman, Sour, Eyton & Green Mingus and Monk compositions. Apart from Brown’s own tunes all players place their mark to great effect and cohesion to the other familiarised pieces. If you were to procure this album for just one track my choice would be the beautifully executed title track “Soul Eyes” {Mal Waldron}. Brown’s tone and deliverance is impeccable and alongside Barron’s clean piano lines the piece is a joy right throughout. In having praised the main soloists it would be criminal not to shower additional accolades on the rhythm section. McBee manages to really lock together these sets and of course without Jones’ driving percussive force there would have been ample opportunity for the tunes, especially Mingus’ and Monk’s to be trivialised. Overall this album is a must have if you are a Marion Brown aficionado or a newcomer to Modern-Avant-Garde Jazz.

Links:
Marion Brown – Soul Eyes {FLAC, Vinyl} [1979] – Side A
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Marion Brown – Soul Eyes {FLAC, Vinyl} [1979] – Side B
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Label: Palm
Catalog#: PALM 13
Format: Vinyl, LP
Country: France
Released: 1974
Genre: Jazz
Style: Free Jazz, Leftfield

Recorded 3rd, 4th, 5th June, 1974 in Paris

Musicians:
Baikida E.J. Carroll – Trumpet, Flugelhorn, Cowbell, Seal Horn, Log Drum, Small Percussions
Oliver Lake – Soprano, Alto & Tenor Saxophones, Flute, Bamboo Flute, Tumbali, Gong, Percussion
Manuel Villardel – Piano, Electric Piano, Percussion
Nana Vasconcelos – Cuica, Tabla, Timbales, Bells, Percussion

Tracks:
A1. Orange Fish Tears {Baikida Carroll} (8:52)
A2. Forest Scorpion {Baikida Carroll} (10:54)
B1. Rue Roger {Oliver Lake} (9:40)
B2. Porte D’Orléans {Baikida Carroll} (14:06)

Total Time: 43:32

Credit:
Producer – Jef Gilson

Note:
A Cuíca or “kweeca” is a Brazilian friction drum often used in samba music. The tone it produces has a high-pitched squeaky timbre.
A Tumali or “Tagalog” is an aerophone blowing instrument made from carabao horn. It is used for calling people or sending messages over wide distances.

Info/Review:
This is Baikida E.J. Carroll’s first album as a leader. It has been severely overlooked with no reissue either on LP or CD. In this regard it is quite a rare vinyl.
The album showcases some of the diverse facets of his musical interests. “Orange Fish Tears” builds up quite a spiritual and peaceful atmosphere for the listener, similar to early Marion Brown multi-instrumental albums. “Forest Scorpion” invokes a real ethnic flavour. There is also a Latin American dance style brought out by the repetitive rhythm patterns created on an assortment of percussion instruments. “Rue Roger” is duo between Carroll and Oliver Lake; it is quite an abstract piece that leads into free improvisation similar to that produced by members of the Art Ensemble of Chicago, especially Roscoe Mitchell. “Porte D’Orléans” is a piece where the group as a whole also launches into free improvisation very much in the style that the Association for the Advancement of Creative Musicians (AACM) and the Black Artists Group (BAG) were performing around this period.

There are also similarities to some of the early albums that Steve Lacy was producing whilst in Paris. Backed with Oliver Lake and Nana Vasconcelos this album was destined to make its mark. Both players have gone onto record extensively with a broad spectrum of modern jazz groups. Overall it is very much an interesting and enchanting album to fill your mind. A real lost gem!
This upload was taken from an original vinyl rip. The ensuing wav files were optimised and encoded to flac.

Links:
Baikida E.J. Carroll – Orange Fish Tears {FLAC} [1974] – Side A.rar
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Baikida E.J. Carroll – Orange Fish Tears {FLAC} [1974] – Side B.rar
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Artist: Igor Butman (Игорь Бутман)
Title Of Album: Magic Land (Веселые Истории)
Recorded: N.Y Avatar Studio 7 August 2007
Release Date:2007
Genre: Jazz / post-bop
Label: sony BMG
Quality: FLAC (Tracks+Cue+scan+Info)
Total Time: 73:44
Size: 472 MB

Tracks:

1. Bu-ra-ti-no
2. Amazing Far
3. Friends Song
4. Water Skis
5. Song Of Little Lion And Turtle
6. Lullaby Of Mommy Bear
7. Summer Song
8. Golden Sun Ray
9. Chunga-Changa
10. Lullaby

Трэклист:

1. «Бу-ра-ти-но»
Из к/ф «Приключения Буратино»

2. «Прекрасное далеко»
Из к/ф «Гостья из будущего»

3. «Песня друзей»
Из м/ф «Бременские музыканты»

4. «Водные лыжи»
Из м/ф «Ну, погоди!»

5. «Песенка Львенка и Черепахи»
Из м/ф «Как львенок и черепаха песню пели»

6. «Колыбельная медведицы»
Из м/ф «Умка»

7. «Песенка о лете»
Из м/ф «Дед Мороз и лето»

8. «Луч солнца золотого»
Из м/ф «Бременские музыканты»

9. «Чунга-Чанга»
Из м/ф «Катерок»

10. «Колыбельная»
Из м/ф «По следам Бременских музыкантов»

Personnel:

John Patitucci - Bass
Jack DeJohnette - Drums
Chick Corea  - Piano
Igor Butman – Saxophone
Randy Brecker - Trumpet
Stefon Harris  - Vibraphone

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Artist: Stan Getz Sextet
Title Of Album: Stan Getz with Cal Tjader
Recorded: San Francisco, California on February 8, 1958.
Release Date:1991
Genre: Jazz
Label: Concord (Russia0
Quality: FLAC (Tracks+Cue+Tau+scan+Info)
Total Time: 42:49
Size: 251Mb

ალბომინ მეორდება Dan-ის მოთხოვნით !

Review   by Richard S. Ginell

An amazing ad-hoc session, thrown together in a San Francisco studio with now legendary personnel from two different groups. The lineup says it all — a meeting of the Latin jazz maestro and the future champion of Brazilian jazz, plus, from Tjader’s group, Vince Guaraldi on piano and guitarist Eddie Duran, and from Getz’s band, the then unknown teenager Scott LaFaro on bass and Billy Higgins on drums. A moment for the history books is an 11-minute workout on Guaraldi’s pentatonic souvenir of Tokyo, “Ginza Samba,” where the fast-samba theme finds Getz blowing to a Brazilian rhythm four years before “Desafinado.” The jamming, though, is in a straight-ahead bebop groove where Getz’s eloquence unfolds with almost unearthly ease. The rest of the album alternates between lyric ballads and solid, though non-Latin, swinging where Tjader, Guaraldi, and Duran graft onto the great Getz rhythm section like they’ve been playing together for decades (check out the funky combustion on “Crow’s Nest”). Collectors’ note: when Getz became a bossa nova star, this album was reissued in 1963 as Stan Getz With Cal Tjader with a different set of liner notes and remains available on LP and cassette in this form

Tracks:

1. GINZA SAMBA 10:57 – (Vince Guaraldi)
2. I’VE GROWN ACCUSTOMED TO HER FACE 3:59 (Lerner – Lowe)
3. FOR ALL WE KNOW – 5:45 (Coots – Lewis)
4. CROW’S NEST – 8:48 (Cal Tjader)
5. LIZ-ANNE – 3;47 (Cal Tjader)
6. BIG BEAR – 4:33 (Cal Tjader)
7. MY BUDDY – 5.14 (Kahn – Donaldson)

Personnel:

STAN GETZ – tenor saxophone
CAL TJADER – vibes
VINCE GUARALDI – piano
EDDIE DURAN – guttar
SCOTT LaFARO – bass
BILLY HIGGINS – drums

Releases
1958 LP Fantasy 3266
1962 LP Fantasy 8005
1963 LP Fantasy 8348
1995 CD Original Jazz Classics 2752

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Artist: Giya Kancheli/ Dino Saluzzi /
Title Of Album: Themes From The Songbook
Recording and Mixed may 2010
Release Date: 2010
Label : ECM [2743230]
Genre: ecm, contepmorary jazz, soundtrack
Quality: FLAC (Tracks+Log+Cue+Scan)
Bitrate : Lossless
Studio/Live : Studio
Mono/Stereo : Stereo
Total Time: 00:59:08
Total Size: 220 MB

გთავაზობთ გენიალური ლეიბლის  ECM-ის გამოცემას, ასევე გენიალური კომპოზიტორის , გია ყანჩელის ალბომს !!!

ალბომში გამოყენებულია მელოდიები ფილმიებიდან მიმინო, კინ ძა ძა, მშობლურო ჩემო მიწავ, დონ კიხოტი,  შერეკილები, როცა აყვავდა ნუში … და რობერტ სტურუას სპექტაკლებიდან !

ალბომს ძალიან სევდიანი იერი დაკრავს, და ისმინება ძალიან სასიამოვნოდ ! ქარველისთვის  ყოველ შემთხვევაში !

Tracks:

01. Herio Bichebo from Earth, This Is Your Son
02. Theme from Bear’s Kiss
03. Main theme from The Crucible
04. Theme from As You Like It
05. Theme from Don Quixote Var. I
06. Theme from Hamlet Var. I
07. Theme from King Lear
08. Theme from Don Quixote Var. II
09. Theme from Kin-Dza-Dza
10. Main theme from The Role for a Beginner
11. Theme from Twelfth Night
12. Main theme from Cinema
13. Theme from Hamlet Ver. II
14. Waltz from Richard III
15. Theme from Mimino
16. Theme from Don Quixote Var. III
17. Main theme from When Almonds Blossomed
18. Waltz from The Eccentrics
19. Theme from Hamlet Var. III
20. Herio Bichebo from Earth, This Is Your Son, with Jansug Kakhidze

Personnel :
Dino Saluzzi (bandoneon)
Andrei Pushkarev (vibraphone)
Gidon Kremer (violin)
Jansug Kahkidze (voice/conductor)
Tbilisi Symphony Orchestra

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Artist: Gerald Wilson Orchestra
Title Of Album: In My Time
Orig Year :2005
Year Of Release: Sep 27, 2005
Label: Mack Avenue
Genre: Jazz Big – Band
Quality: FLAC + Log+Cue+Tau+ Full Scan+Info
Bitrate: Lossless
Total Time: 00:75:14
Total Size: 567 MB (Recovery 6%)

ალბონი სრულდება chinasky -ის თხოვნით !

Tracks:
1.Sax Chase
2.Dorian
3.Ray’s Vision at the U
4.Blue’s For Manhattan
5.Lomelin
6.A.E.N.
7.Musette
8.So What
9.Love For Sale
10.Jeri

Gerald Wilson Orchestra:
Steve Wilson , Gary Smulyan, Kamasi Washington, Ron Blake , Dustin Cicero, Jerry Dodgian (woodwinds);
Russell Malone (guitar);
Eddie Henderson, Frank Green, Jeremy Pelt, Jimmy Owens, Jon Faddis, Sean Jones, Mike Rodriguez (trumpet);
Luis Bonilla, Benny Powell, Douglas Purviance, Dennis Wilson (trombone);
Renee Rosnes (keyboards);
Peter Washington (double bass);
Lewis Nash (drums);
Gerald Wilson.

===========================================================================================

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Artist: Lee Konitz,Brad Mehldau,Charlie Haden,Paul Motion
Title Of Album: Live at Birdland (2011)
Recording Date: Live at Birdland December (2009)
Release Date: Sep 14, 2010
Label : ECM 2162
Genre: Jazz / Modern Jazz / Contemporary Jazz /
Quality: FLAC (Tracks+Log+Cue+Scan)
Bitrate : Lossless
Studio/Live : Live
Mono/Stereo : Stereo
Total Time: 71:19
Total Size: 419 MB

Tracklisting:
1. Lover Man
2. Lullaby of Birdland
3. Solar
4. I Fall in Love too Easily
5. You Stepped out of a Dream
6. Oleo

Personel:
Lee Konitz: alto saxphone
Brad Mehldau: piano
Charlie Haden: double-bass
Paul Motian: drums

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Artist: Charles Lloyd Quartet
Title Of Album: Mirror
Recording Date: Dec 2009
Release Date: Sep 14, 2010
Label : ECM    2740499
Genre: Jazz / Modern Creative / post-bop /
Quality: APE (Tracks+Log+Cue+Scan)
Bitrate : lossless
Studio/Live : Studio
Mono/Stereo : Stereo
Total Time: 72:54
Total Size: 419 MB

Review    by Thom Jurek

When Charles Lloyd showcased his quartet in a live setting on 2008′s Rabo de Nube, it was one of the more exciting, free-flowing dates of that year. It was physical, full of intense engagement and fiery energy. On that date, he performed a number of tunes he’d recorded before, along with new compositions. Mirror, recorded with the same band — drummer Eric Harland, pianist Jason Moran, and bassist Reuben Rogers — in a Santa Barbara studio, is, as the title suggests, a mirror image of the previous outing. Here too, the saxophonist revisits some older material with, thanks in large part to his sidemen, new ears. The material is mostly gently swinging ballads and outré investigations showcasing an even more spiritual side to Lloyd’s playing and arranging. But it also displays the great intuitive nuances this band is capable of. While the set opens with an elegant and gently swinging reading of the standard “I Fall in Love Too Easily,” it’s the follow-up, the spiritual “Go Down Moses,” that showcases the group’s persona with its modal, questioning concerns, while keeping the tune firmly in the church. The title track appeared on 1989′s Canto, and is here performed with the kind of deep commitment and sense of interdependent energy only time and wisdom can impart. Another tune from that album, “Desolation Sound,” while still a ballad, features a lot more engagement from the players here: Moran’s solo looks in and through the changes to find a way outside and gets there. Harland’s shimmering breaks add more crackle than on the original. Likewise, “The Water Is Wide” and “Lift Every Voice and Sing” are performed, in their restrained way, more energetically than they were on their respective albums. One of Mirror’s great surprises is a tender reading of the Beach Boys’ “Caroline, No.” While the melody is inescapable, Lloyd very quickly transforms it into a jazz ballad of haunting, romantic beauty. On a pair of Monk tunes here — “Ruby, My Dear” and “Monk’s Mood” — Moran’s own musical personality is given free rein. He expresses it with his deft senses of rhythmic and harmonic intuition, underscoring unexpected phrases and elaborating on others. Ultimately, Mirror is another Lloyd triumph. It may not shake the rafters with its kinetics, but it does dazzle with the utterly symbiotic interplay between leader and sidemen.

Tracks List:

01 – I Fall in Love Too Easily (Sammy Cahn, Jule Styne) 5:00
02 – Go Down Moses (Traditional) 5:59
03 – Desolation Sound (Charles Lloyd) 7:03
04 – La Llorona (Traditional) 5:35
05 – Caroline, No (Brian Wilson, Tony Asher) 4:02
06 – Monk’s Mood (Thelonious Monk) 5:01
07 – Mirror (Charles Lloyd) 6:42
08 – Ruby, My Dear (Thelonious Monk) 5:25
09 – The Water Is Wide (Traditional) 7:19
10 – Lift Every Voice and Sing (James Weldon Johnson, J. Rosamond Johnson) 4:29
11 – Being and Becoming (Charles Lloyd) 7:02
12 – Tagi (Charles Lloyd) 9:17

Personel:

Charles Lloyd: tenor and alto saxophones, voice;
Jason Moran: piano;
Reuben Rogers: bass;
Eric Harland: drums.

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